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''Dorothy'' is a comic opera in three acts with music by Alfred Cellier and a libretto by B. C. Stephenson. The story involves a rake who falls in love with his disguised fiancée. It was first produced at the Gaiety Theatre in London on in 1886. After a rocky start, it was revised and transferred to the Prince of Wales Theatre later that year and then transferred to the Lyric Theatre in 1888, where it played until 1889. The piece had an initial run of 931 performances, breaking the record for the longest-running musical theatre production in history and holding this record until the run of the musical play ''A Chinese Honeymoon'' in the early 1900s. ''Dorothy'' also toured in Britain, America and Australia and enjoyed numerous revivals until at least 1908. The piece was popular with amateur theatre groups, particularly in Britain, until World War II.〔Bond, Ian. ("Rarely Produced Shows" ). St. David's Players, accessed 28 April 2015〕 The show's hit songs included the ballad "Queen of My Heart", "Be Wise In Time", "Hark For'ard!", "With A Welcome To All", and "The Time Has Come." ==Background== Although billed as a "comic opera" like the popular Gilbert and Sullivan operas on the London stage at the same time, ''Dorothy'' was a key forerunner of the Edwardian musical comedy, bearing many of the attributes of that genre. Its libretto is more farcical than W. S. Gilbert's satiric libretti, revolving around mistaken identities and topical humour instead of topsy-turvy plot absurdities. ''Dorothy'' anticipated George Edwardes's musical comedy hits of the 1890s and 1900s, and its remarkable success showed Edwardes and other theatre managers that audiences were ready for a shift towards the more topical pieces that soon dominated the musical theatre stage. In 1885, Cellier had composed a song, "There once was a time, my darling", for a piece produced by Edwardes, ''Little Jack Sheppard'' (1885). Cellier, who had been a lieutenant of Arthur Sullivan, re-purposed much of the music for ''Dorothy'' from his unsuccessful comic opera of ten years earlier, ''Nell Gwynne''. Though a flop, the music of ''Nell Gwynne'' had been praised. Stephenson wrote new lyrics and a libretto to fit the music. He wrote a well-crafted play, with literary echoes of familiar themes reminiscent of Jane Austen's ''Emma'', yet with a more modern style, suggesting its eighteenth-century setting lightly rather than with the archaic literary tone common in Victorian drama. Shortly before the première, Cellier's doctors advised him not to spend the winter in England, and he left for Australia. In his absence it became clear that the opera needed a big romantic ballad, and Cellier's publisher suggested using one of his existing songs, "Queen of my Heart", which was interpolated into the piece and became a huge success. The sheet music sold over 40,000 copies, and the popularity of the song saved the opera from failure.〔''"Memorial Notices", The Manchester Guardian''30 December 1891. p. 8〕〔"Dorothy", ''The Times'', 22 December 1908, p. 11〕 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Dorothy (opera)」の詳細全文を読む スポンサード リンク
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